Friday, September 13, 2019
What is 'new' about the 'New Woman' Discuss the challenges posed by Essay
What is 'new' about the 'New Woman' Discuss the challenges posed by the emergenceof this figure in late Victorian literature - Essay Example of new genres of womenââ¬â¢s fiction ââ¬â womenââ¬â¢s ââ¬Ësensationââ¬â¢ novel of the 1860s and the ââ¬Ënew womanââ¬â¢ novel of the 1890s ââ¬â as well as the emergence of a ââ¬Ënewââ¬â¢ kind of woman in literature and society, challenging the Victorian social ideals and perceptions of femininity. [Pykett, 1992] While the sensation heroines, as Mary Elizabeth Braddonââ¬â¢s Isabel Sleaford in ââ¬ËThe Doctorââ¬â¢s Wifeââ¬â¢ and Aurora in ââ¬ËAurora Floydââ¬â¢ present shades of a new kind of woman ââ¬â ââ¬Å"a woman who cannot easily be accommodated either to the category of normal, proper femininity, nor to that of deviant, improper femininity,â⬠[Pykett, 1992; p. 19] the ââ¬Ënew womanââ¬â¢ heroines of the 1880s and 1890s, as Lyndall in Olive Schreinerââ¬â¢s autobiographical novel ââ¬ËThe Story of an African Farmââ¬â¢, presents more powerful, fiercely independent and more ââ¬Å"seriously feministâ⬠representation of women. Though Lyndall is more often referred to as the ââ¬Å"best exampleâ⬠of the ââ¬Å"new womanââ¬â¢ in English novel, [Monsman, 1985; p. 262] Braddonââ¬â¢s Isabel and Aurora Floyd are more subtler representations of an evolving, new femininity, at odds with the Victorian perceptions of femininity. It may be fascinat ing to analyse the development of this new femininity and representations of ââ¬Ënew womanââ¬â¢ in literature, as women writers of the late -Victorian era defined and redefined femininity. As one attempts to understand the ââ¬Ënewââ¬â¢-ness of the ââ¬Ënew womanââ¬â¢ and the challenges posed by these representations in literature, it may be worthwhile to examine how the ââ¬Ënew womanââ¬â¢ is described, as well as analyse the construct of this figure in literature in relation to the perceptions of femininity in their days. Smith Rosenberg explains that the New Woman was primarily a representation-- ââ¬Ëa condensed symbol of disorder and rebellion,ââ¬â¢ [In Pykett, 1992; p.137-38] actively produced and reproduced in the print media and in novels. From a more realistic perception the New Woman is
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